| Introduction | Karmavibhanga | Jatakamala | Avadana | Lalitavistara | Gandavyuha | Bhadracari | The Summit |
| Early History of Java | Buddhist Art in Java | Architecture | Mantrayana | Angkor Journey | The Silk Road | Asian Art | Prambanan |
| Mendut Articles: | Before the Restoration | Post Restoration | Bodhisattvas | Panchatantra | Pathway | Astronomy | Candi Plaosan |
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| Photo Galleries: | Candi Asu | Candi Banyunibo | C. Kalasan | C. Ngawen | Candi Pawon | Candi Sari | Candi Sewu |
| Candi Ijo | Candi Kedulan | Prambanan | Candi Sambisari | Candi Sukuh | Museum Art | Ratu Boko | |
Candi Ijo |
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Candi Ijo is located on the southern side of the Ratu Boko historical park and on the western side of modern Yogyakarta.. Constructed during the late 9th century toward the end of Central Java's Classic Age, the main shrine at Candi Ijo faces the cardinal direction west. Moreover, the entire site is located on the western side of a hill. One notable feature of the temple is its layout, which features a main structure (photo right) fronted by three smaller buildings that were probably dedicated to the Hindu Trimurti of Brahma, Vishnu and Shiva. Additional ruins are located further down the western slope of the hill that have not been reconstructed. |
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The entranceway to the main shrine is notable for the double kala head motif above the portal. The antefixes featuring the head and upper torso of a deities are also found at Buddhist temples such as Ngawen, Plaosan and Sari. (Internet Explorer users: drag the cursor over each picture to access the descriptive text.) |
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One of the image niches on the exterior of the main shrine (immediate right). The makara heads on the staircase banisters have small parrots in their mouths (far right). |
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Inside the main shrine there are singular niches on the walls in the North, South, and East; to either side of each niche is a male/female pair of offering deities that fly in the direction of each niche. At the center of the shrine is an ornately carved yoni platform that combines the images of a serpent and a turtle, symbolizing the foundation of the world, according to the ancient cosmological views of Southern Asia. Therefore the center of the temple was the axis of the world, symbolized by the lingam that originally had been present at the center of the yoni platform. The lingam, now missing, symbolized the indivisible unity of Brahma, Vishnu and Shiva; it is also likely that images of these three deities had originally been installed in the temple's interior niches. |
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Inside one of the three subsidiary shrines at Candi Ijo is a pit where fire (homa) sacrifices were probably performed. Note the openings in the false window for allowing the smoke to disperse. On Java, fire was associated with the Hindu god Brahma. The overall layout of the site, together with the fire attributes of this subsidiary shrine, strongly suggest that the three building facing the East had originally been dedicated to the Hindu trimutri of Brahma, Vishnu and Shiva. |
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Further down the western slope are the ruins of additional shrines. |
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